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Well-selected and prepared medium- to heavy-weight parchment; many original stitch holes; flyleaves are a different parchment, added at rebinding in the fifteenth or early sixteenth century
Heraldry added in fifteenth or sixteenth century. Armorials of Crohin family composed of blue grounds with a gold chevron and three golden ears of corn (?).
Heraldry added in fifteenth or sixteenth century. Armorials of Crohin family composed of blue grounds with a gold chevron and three golden ears of corn (?).
The scroll they hold is inscribed "Bonne conpangie quant."
This image should be with Ps. 97, not Ps. 95.
Arms of Crohin family in lower margin added in fifteenth or sixteenth century.
This image is original to the manuscript but was likely moved from the rest of the prefatory cycle to this location when the Hours of the Virgin was added in the fifteenth century.
Rebound in Belgium, late fifteenth or early sixteenth century; deep red velvet over leather-covered wood boards; piping composed of gilded silver, gold, and red silk thread lines edges of boards; red, white, and green silk endbands sewn to velvet cover; page edges gilded, gauffered with a diamond and rosette pattern; matching velvet straps with piping attached to inside of upper board and clasp to lower board; fasteners in gilded silver, with golden "P" for Peissant family against a ground of deep blue enamel; clasps likely nineteenth-century: close comparison exists on manuscript at Getty, also connected to Crohin family, which was bound in Belgium in the first half of the nineteenth century (see the Crohin-La Fontaine Hours, Getty Ms. 23)