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Walters Ms. W.640, Collection of poems (divan)

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Shelf mark

W.640


Manuscript

Collection of poems (divan)


Text title
Dīvān-i Jāmī

Vernacular: ديوان جامى


Author

Authority name: Jāmī, 1414-1492

As-written name: Nūr al-Dīn ʿAbd al-Raḥmān ibn Aḥmad Jāmī

Name, in vernacular: نور الدين عبد الرحمان بن احمد جامى

Note: Author dates preferred by cataloger: d. 898 AH / 1492 CE


Abstract

This is an illuminated and illustrated Safavid copy of the first collection of poetry (Dīvān-i avval or Fātiḥat al-shabāb) by Nūr al-Dīn Jāmī (d. 898 AH / 1492 CE). According to the colophon, is was copied by the illustrious Safavid calligrapher Shāh Maḥmūd Nīshāpūrī (d. 972 AH / 1564-5 CE) (fol. 306a). The codex opens with a double-page illustrated frontispiece (fols. 1b-2a), which is followed by a double-page illuminated incipit (fols. 2b-3a). There are ten additional paintings that appear to date later than the text itself. These paintings are in the style of Isfahan in the eleventh century AH / seventeenth CE. The textblock, which has been trimmed, is bound in lacquer boards decorated with hunting scenes and landscape motifs. The binding was also executed in Iran and is attributable to the late tenth century AH / sixteenth CE or eleventh century AH / seventeenth CE. There are several erased seals and one ownership statement on fol. 1a, and a seal impression naming Muḥammad Amīn is found on fol. 3a.


Date

10th century AH / 16th CE


Origin

Iran


Scribe

As-written name: Shāh Maḥmūd Nīshābūrī

Name, in vernacular: شاه محمود نيشابورى

Note: Shāh Maḥmūd Nīshāpūrī (d. 972 AH / 1564-5 CE) was a poet and one of the three greatest Safavid calligraphers (see bibliography).


Form

Book


Genre

Literary -- Poetry


Language:

The primary language in this manuscript is Persian.


Colophon
fol. 306a:
  1. Transliteration: tamma bi-al-khayr /1/ katabahu al-ʿabd Shāh Maḥmūd Nishābūrī /2/ ghafara dhunūbahu wa-satara ʿuyūbahu /3/
  2. Comment: Gives the name of the scribe only

Support material

Paper

Laid paper with gold-sprinkled margins


Extent

Foliation: i+306+i


Dimensions

16.5 cm wide by 27.0 cm high


Written surface

7.0 cm wide by 15.5 cm high


Layout
  1. Columns: 2
  2. Ruled lines: 15
  3. Framing lines in blue, red, mustard, green, and gold

Contents:
fols. 1b - 306a:
  1. Title: Dīvān-i Jāmī
  2. Author: Jāmī, 1414-1492
  3. Scribe: Shāh Maḥmūd Nīshābūrī
  4. Incipit: بسم اله الرحمن الرحيم هست صلاى سر خوان كريم...
  5. Text note: Codex begins with a preface (fols. 1b-7a) composed in 884 AH / 1479 CE; first qaṣīdah begins on fol. 7a
  6. Hand note: Written in nastaʿlīq script in black, red, and blue
  7. Decoration note: Ten illustrations; double-page illustrated frontispiece (fols. 1b-2a); double-page illuminated incipit (fols. 2b-3a); headpiece introducing ghazals (fol. 66b), panels in the text, framing lines in blue, red, mustard, green, and gold

Decoration:

Upper board outside:

  1. W.640, Upper board outside
  2. Title: Lacquer binding
  3. Form: Binding
  4. Label: This Safavid lacquer binding is decorated with hunting scenes and landscape motifs. It is attributable to the late tenth century AH / sixteenth CE or eleventh century AH / seventeenth CE.

Upper board inside:

  1. W.640, Upper board inside
  2. Title: Doublure
  3. Form: Binding
  4. Label: This is a doublure of multicolored filigree work and mirror work that is attributable to the late tenth century AH / sixteenth CE or eleventh century AH / seventeenth CE.

fol. 1b:

  1. W.640, fol. 1b
  2. Title: Double-page illustrated frontispiece
  3. Form: Illustration; frontispiece
  4. Label: This is the right side of a double-page illustrated frontispiece.

fol. 2a:

  1. W.640, fol. 2a
  2. Title: Double-page illustrated frontispiece
  3. Form: Frontispiece; illustration
  4. Label: This is the left side of a double-page illustrated frontispiece.

fol. 2b:

  1. W.640, fol. 2b
  2. Title: Double-page illuminated incipit
  3. Form: Incipit
  4. Label: This is the right side of a double-page illuminated incipit.

fol. 3a:

  1. W.640, fol. 3a
  2. Title: Double-page illuminated incipit
  3. Form: Incipit
  4. Label: This is the left side of a double-page illuminated incipit.

fol. 66a:

  1. W.640, fol. 66a
  2. Title: Offering of wine in a landscape
  3. Form: Illustration
  4. Label: This illustration marks the end of the section of qaṣīdahs.

fol. 66b:

  1. W.640, fol. 66b
  2. Title: Incipit page with illuminated headpiece
  3. Form: Incipit; headpiece
  4. Label: This incipit page with illuminated headpiece, interlinear decoration, and gold-sprinkled margins introduces the section on ghazals.

fol. 72b:

  1. W.640, fol. 72b
  2. Title: The poet Jāmī reciting poetry
  3. Form: Illustration
  4. Label: Jāmī, who is seen in the lower right corner in a brown robe, recites his poetry before others.

fol. 90b:

  1. W.640, fol. 90b
  2. Title: The veiled and seated Prophet Muhammad
  3. Form: Illustration

fol. 115b:

  1. W.640, fol. 115b
  2. Title: Jāmī and company in a landscape
  3. Form: Illustration

fol. 148b:

  1. W.640, fol. 148b
  2. Title: Court scene
  3. Form: Illustration

fol. 184a:

  1. W.640, fol. 184a
  2. Title: Scholars engaged in discussion
  3. Form: Illustration

fol. 198a:

  1. W.640, fol. 198a
  2. Title: Jāmī recites his poems
  3. Form: Illustration

fol. 223b:

  1. W.640, fol. 223b
  2. Title: Jāmī recites his poems for an audience in a palace
  3. Form: Illustration

fol. 246b:

  1. W.640, fol. 246b
  2. Title: Garden scene with Jāmī reciting his poems
  3. Form: Illustration

fol. 281b:

  1. W.640, fol. 281b
  2. Title: Jāmī recites his poems to a friend who inclines on a cushion
  3. Form: Illustration

Binding

The binding is not original.

Perhaps late tenth century AH / sixteenth CE or eleventh century AH / seventeenth CE; lacquer boards (with flap) decorated with hunting scenes and landscape motifs; doublures of multicolored filigree work and mirror work


Provenance

Several erased seals and one ownership statement (fol. 1a)

Seal impression with the name Muḥammad Amīn (fol. 3a)


Acquisition

Walters Art Museum, 1931, by Henry Walters bequest


Bibliography

Rieu, Charles. Catalogue of the Persian Manuscripts in the British Museum, vol. 2. (London: British Museum, 1879-83), 643.

Richard, Francis. Catalogue des manuscrits persans. (Paris: Bibliothèque nationale, 1989), no. 225.

Simpson, Marianna Shreve, and Massumeh Farhad. Sultan Ibrahim Mirza's Haft Awrang: A Princely Manuscript from Sixteenth-Century Iran. (Washington, D.C.: Freer Gallery of Art, 1997), 254-269.

Ibrāhīmī Ḥusaynī, Aḥmad. Calligraphers and Painters: A Treatise by Qāḍī Aḥmad, Son of Mīr-Munshī, circa A.H. 1015 / A.D. 1606, Translated from the Persian by V. Minorsky, with an Introduction by B.N. Zakhoder; Translated from the Russian by T. Minorsky. (Washington, D.C.: Smithsonian Institution, Freer Gallery of Art, 1959), 135-8.


Contributors

Principal cataloger: Gacek, Adam

Catalogers: Landau, Amy; Smith, Sita

Editor: Bockrath, Diane

Conservators: Jewell, Stephanie; Quandt, Abigail

Contributors: Barrera, Christina; Emery, Doug; Herbert, Lynley; Noel, William; Simpson, Shreve; Tabritha, Ariel; Toth, Michael B.; Valle, Chiara


Publisher

The Walters Art Museum


License

Licensed for use under Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported Access Rights, http://creativecommons.org/licenses/by-nc-sa/3.0/legalcode. It is requested that copies of any published articles based on the information in this data set be sent to the curator of manuscripts, The Walters Art Museum, 600 North Charles Street, Baltimore MD 21201.