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Well-finished, thin to medium-weight, cream-colored parchment
Late seventeenth-century Dutch binding; cream- colored vellum over pasteboard, gold-tooled; outer frame of double gold fillets enclosing an inner frame of the same, with canted gold crowns at the outside of each of the four corners (possibly bound in Amsterdam, ca. 1695 in the workshop of Albert Magnus; a virtually identical binding reproduced in Foot, Eloquent Witnesses); sewn on five raised bands; spine gold-tooled in six panels; edges speckled red